Crossover Filter Design Video Tutorial
Building on my previous filter design videos (see below), I use the filterdesign, filterdetail and gen~ objects to make a crossover filter that is perfect for use in multi-band EQ’s,...
View ArticleGet the RISE Package
Working closely with ROLI, we at Cycling ’74 have released a huge content package focused on support for the Seaboard RISE as well as any other MIDI hardware that uses the MPE (Multidimensional...
View ArticleUse the ROLI Seaboard RISE as a Video Effects Controller
The release of the RISE package gives us a chance to show the use of the Seaboard RISE in a different kind of context: as a video effects controller. One of the example programs provided with the RISE...
View ArticleNewsletter #73: See how Max and the ROLI Seaboard RISE work together, and...
This week, Cycling ’74 releases a special new package with MPE support, takes filter design to the next level, and uses the Seaboard RISE as an effects controller. Read this newsletter, visit the...
View ArticleAMYGDALA: Searching for Sentiment in a Sea of Tweets
A few months ago I stumbled across some stills from an installation that caught my eye. The installation, entitled “AMYGDALA,” was created by the Italian digital arts studio fuse*. There was something...
View ArticleArtist Focus: Marielle Jakobsons
Anyone who’s paid attention to your earlier electronic/violin work may or may not find your debut as an instrument designer to be a real surprise. Of course, since we know you through your work more...
View ArticleManaging Multiples Made Easy
One of the most powerful objects in the jitter library is jit.gl.multiple. It allows you to quickly create and manage arrays of OpenGL objects by manipulating matrix data to control the GL parameters,...
View ArticleNewsletter #74: Increase your word power while watching a beautiful thing,...
This week, Cycling ’74 introduces you to an artist and her Macro-Cymatic instrument, visits a place where Twitter is made visible, and shows you how to manage multiple objects in Jitter. Read this...
View ArticleThe Wearable Interface: An Interview with Bob Pritchard and Kiran Bhumber
It’s all too common these days to encounter instruments and approaches to performance that are solutions rather than works in progress of processes. That isn’t necessarily surprising. After all, all...
View ArticleA Few Minutes with BEAP, Part 12
In Part 12 of the “A Few Minutes with BEAP” tutorial series, we look at an unusual source for generating CV for your favorite BEAP modules – video. It’s a quick way of adding UI controls to run...
View ArticleNewsletter #75: Try on wearable interface ideas, use your videos for BEAP...
This week, Cycling ’74 drops in on a pair of wearable interface designers, patches up a little video control for BEAP modules, and road-tests a Mirafied Max for Live plug-in. Read this newsletter,...
View ArticleProgram Change My Life! “The BSP Movement”
This has been incredibly useful for me when I want to jump straight into composition and not think too hard about choosing an instrument. I've also been able to use it successfully with old auto...
View ArticleReview: Novation Launch Control XL
MIDI controllers are an obsession for a lot of us. As sometimes the sole physical component of a performance setup, it’s hard to ever feel totally settled on a single device. For many years I was a...
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